175 Royalty-Free Audio Tracks for "Indian Popular"

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

Dha sound of a tabla stroke.

Indigenous group drum beat.

Indigenous drum beat.

Indigenous drum beat.

Indigenous flute and echo.

Indigenous flute and echo.

All the music is generated with audacity! toda la música fue hecha con audacity!.

My aunt has some bells that sound light, delicate, and ethereal. She said they are from india. There are two strands of brass bells about the size of an acorn each. You are hearing only one single strand sounding in this recording.

South india, goa state, sunrise. Every sunrise the hill tropical jungle is rich in sound. Slowly, the awaking of the village as added layer. Md recorder - pocket microphone.

Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.

Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.

Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.

Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.

Sound of a street fair with a salesman shouting for selling apples and mangos with crowd noise. Portuguese language. Recorded in são paulo city in brazil, 2019.

Recording the atmosphere of my local wok place that has great samosas.

Dancers in india wear anklets made of little brass bells. This is a stereo recording of that sound. You can create interesting loops with various portions of this file. Recorded in stereo with marantz pmd 661 mk ii and rode nt4.

Indigenous music vocals.

Snippets from recordings of me playing the tanpura. Tuned to c sharp, the notes from top to bottom are g sharp, a sharp, c sharp, low c sharp. In traditional indian tuning the c sharp is the root note (first note in the scale) and referred to as sa. The fifth note (g sharp in this scale) is referred to as pa and the sixth note (a sharp) is dha. The pack contains recordings of the more traditional pa-sa-sa-sa type rythmns, as well as some experimenting with short bass lines, riffs and slap bass drones!. Before you say "a tanpura should not be played in such a way" please be comforted by the fact that this is not a traditional tanpura (and will never sound or be able to be played exactly like a traditional tanpura) it is part of the swar sangam, which combines the four drone strings of the tanpura with 15 harp strings. I am only playing the tanpura part in these recordings.

Snippets from recordings of me playing the tanpura. The strings are tuned to b, d, g and e, so would work well in the keys of g or e minor. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

Snippets from recordings of me playing the tanpura. Tuned to e flat, the notes from top to bottom are b flat, e flat, c, low e flat. In traditional indian tuning the root note in the scale is referred to as sa and is e flat in this scale the fifth note (b flat in this scale) is referred to as pa and the sixth note (c) is dha. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

Drone sound of indian flat tanpura in e with 5th and 8th. Recorded by audiotechnica clip microphone.

A short jati (phrase) played on the mridangam, a percussion instrument used in carnatic music of india. It is a part of a long mridangam solo. The mridangam is tuned to c#.

Field-recording is a popular tag. Dub example example should effect.

Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.

Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.

Recorded on an iphonein mumbai, india. Love,p.

A short on the fly rhythmic improvisation on ghatam and morsing. It starts out on a duple meter and slowly moves to a triple meter.

A short meditation theme for games, movies or whatever you want. Enjoy.

Indian forest, birds in the very morning. Recorded with sony a7sii.

Recorded with only a small digital video camera at a cafe in pushkar, india. As i sat by the lake one afternoon, two indians sat down on the ground in front of me and began playing this and singing. There is background cafe noises and the odd motorbike going by and beeps, people talking and its not great quality but, someome may like it. . . It is as natural as you can get, raw sounds of india!(unfortunately, i have no idea what they are saying, id love to know if anyone could translate it?)recorded september, 2012.

Free arabic lead 97 bpm.

*** please rate this sound if you download and like :-) ***. Tabla loop built with boulanger's free library on ableton's drum rack and mastered. -3 db level.

Recorded with zoom h6n in kothi, himachal pradesh, india 2019.

A group of musicians playing dhol(indian instrument) at a traditional indian wedding. Recorded from a distance using a zoom h4n.

Little loop with some soloing over it about halfway through, chop the beginning for an intro or use the wacky melody that comes in about halfway through. Its basically in lydian mode, so suitable for indian or just for fun.

A short theka, jathi and muktaayam in tishra nade (triple meter), adi taala (8 beats in a cycle) on a mridangam. (amateur playing).

A short theka followed by a muktaayam on morsing in adi taala, a rhythmic cycle of 8 beats with four notes/strokes in each beat. (amateur playing).

A short theka in khanda nade (pentuple meter) on the mridangam.

Indian traffic ambience sound.

Recorded inside an indian bus.

The beep box of an explosion that will blow your mind.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tanpura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them; strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" is experimenting with running up and down the strings. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tampura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them, strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" speaks for itself. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.